Room Shot

Bin übrigens fündig geworden und überglücklich darüber, in Zukunft live den ein oder anderen „Room Shot“ beisteuern zu können.

>> Another effect that is used a lot in dub mixing is reverb, but again, it’s the opposite of the usual ’set and forget‘ approach. The dub way of doing it is much more dynamic! A reverb is set up on an auxiliary send, and as the track is playing, the send level is altered for different instruments. For instance, you can turn on the aux send just for one single hit on the snare or the chop, and then revert to its original position. First the snare is right here with you, dry and present, and suddenly you hear it shooting off the planet at great speed. I call it the room shot!<<
What Dub Mixing Is & How To Do It, SOS July 2007

Das PCM-60 ist ein reines Hall-Gerät aus dem Jahr 1984 und ich möchte euch auf keinen Fall die damalige Einstellung für den „contemporary snare sound“ vorenthalten: