the secret ingredient

Mein Freund Markus Birkle hat mir gestern „That Pedal Show“ mit dem Radiohead Gitarristen Ed O’Brien empfohlen (der sich mit vielen Tretminen vor allem um Texturen, Soundkaskaden und Live-Looping kümmert).
Aussagen wie „EHX Memory Man – the god pedal“ oder „the first thing you’d buy is a delay pedal – […] before a distortion pedal“ werden direkt abgetippt…


Und dass die Band keine Lust darauf hat, sich in einen Jukebox Modus zu begeben und  Konzerte eintrainiert und durchgecheckt abzuspulen, dadurch Risiken mit spürbarer Fallhöhe in Kauf nimmt, die letztlich aber ganz gut vor routinierte Langeweile schützt, reizt mich sehr.

>>You’ve got to rehearse, but you’ve also to be able to laught at a car crash – […] we are human beings… >> (25.08’)

Und so schaue ich noch ein Konzertmitschnitt an  (live in Arras 2017 mit zwei Drummern – Philip Selway und Clive Deamer).

 

>>«In the last Radiohead tour,» says Phil Selway, «I was joined by a second drummer, Clive Deamer. That was fascinating. One played in the traditional way, the other almost mimicked a drum machine. It was push-and-pull, like kids at play, really interesting. You wouldn’t go there without the initial inspiration of a drum pattern. That approach was very much informed by drum machines.»<< Phil Selway and the evolution of rock drumming in the digital age

Jetzt noch zwei einen ältere Live-Schnippsel aus Paris (2001) und Glastonbury (2003, ab 1:08:20′), in denen man ganz toll sowohl Jonny Greenwood als auch Ed O’Brien beim Live-Looping beobachten kann. Jonny kümmert sich um Stimme und Schlagzeug, Ed ums Rhodes:

Zum Abschluß noch ein ausgedehntes Looper-Duo vom Bonnaroo Konzert (2006).

Diese Infos entsammen der Website „The King of Gear„, die noch einen weitaus tieferen Einblick ins Live-Looping-Geschehen von Radiohead liefert.

 

 

 

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